15.03.2022 – 15.04.2022
opening 6pm
// EXTENSION //
When art speaks in paradox, reality can be captured: „Does the public belong to art, and if not, why?“ Every protest grounds its own legitimacy through the visual demonstration of the significance of an issue, an attitude, etc. to the (supposed) masses and their mobilization. However, this construction is in part necessarily imaginary, even fictitious at times. Questioning the habitual categorizations put forward by scholarly and socio-economic analysis, reveals the conception that art is frequently understood as an equal within other scientific disciplines. Explicitly asking questions about future viability and by bringing together the shared responsibilities of both art and science, new dialogues come to the fore. Remembering is political. What is remembered, what is forgotten, and why? Who owns the collective memory?
The action symbolically shows real extensions and searches for the expression of targeted omnipresence. The Unit is expanded by using the same Unit, and the new collective dimensions represent a comprehensive measure of geometry in space. It is a matter of the geometry of one’s own, resulting from both internal and external sizes. The acting explores the actions of scanning one’s own dimensions as distance, radius, length, etc. and these measurements’ validity to the individual, multiplied in the collective. The Extensionality Axiom is a guideline of the axioms theorized by Richard Dedekind (1888), and indicates that two units or quantities are equal if they have the same elements. How much am I when I am many?
Volo Bevza, UA
Tatjana Doll, D
Renata Rara Kaminska, PL
Martin Kohout, CZ
Victoria Pidust, UA
Slavs and Tatars, EURASIA
Endre Tót, H
Una Szeemann, CH
9th April 2022 / 6pm
Maria Masha Isserlis /
Curator, UA
will be introducing Ukrainian voices from artistic community on the ground.
Kleiner Wasserspeicher
Diedenhofer Straße (in park) 10405 Berlin
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