{"id":39,"date":"2014-04-24T11:31:00","date_gmt":"2014-04-24T11:31:00","guid":{"rendered":"http:\/\/www.bel-etage-projects.com\/wp_be\/?page_id=39"},"modified":"2017-02-27T10:54:17","modified_gmt":"2017-02-27T10:54:17","slug":"manifesta-9","status":"publish","type":"page","link":"https:\/\/www.bel-etage-projects.com\/wp_be\/exhibitions\/2012-2\/manifesta-9\/","title":{"rendered":"MANIFESTA 9"},"content":{"rendered":"<div id=\"post-821\" class=\"post\">\n<div class=\"entry\">\n<p><img loading=\"lazy\" decoding=\"async\" title=\"M9-mail_1-7\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/M9-mail_1-7.png\" alt=\"\" width=\"294\" height=\"36\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1175\" title=\"Renata Kaminska, \u201eBerliner Collage.\u201d, 2012 \" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/kaminska-deteil-640x480.jpg\" alt=\"Renata Kaminska, \u201eBerliner Collage.\u201d, 2012\" width=\"640\" height=\"480\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1177\" title=\"Renata Kaminska, \u201eBerliner Collage \/sw.\u201d, 2012 \" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/kaminska-pact-640x795.jpg\" alt=\"\" width=\"640\" height=\"795\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1069\" title=\"beide\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/beide-640x215.jpg\" alt=\"\" width=\"640\" height=\"215\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1070 \" title=\"Marc Bijl-beide-kl\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/Marc-Bijl-beide-kl-640x374.jpg\" alt=\"\" width=\"640\" height=\"374\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1071\" title=\"hakimi-beide\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/hakimi-beide-640x301.jpg\" alt=\"\" width=\"640\" height=\"301\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1078\" title=\"bnnt8\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/bnnt8-640x576.jpg\" alt=\"\" width=\"640\" height=\"576\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1076\" title=\"bnnt1\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/bnnt1-640x440.jpg\" alt=\"\" width=\"640\" height=\"440\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1077\" title=\"bnnt3\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/bnnt3-640x585.jpg\" alt=\"BNNT \/ Konrad Smolenski\" width=\"640\" height=\"585\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1079\" title=\"bnnt11\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/bnnt11-640x241.jpg\" alt=\"\" width=\"640\" height=\"241\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Location:<\/p>\n<p>public space: Town Hall \u2013 courtyard, Stadsplein 1, Genk, Belgium<br \/>\n Performance: 01 \/ 02 \/ 03. 06. 2012 at 6 p.m.<\/p>\n<p>Open:<br \/>\n 31\/05\/12 to 30\/09\/12 \/ or up to destruction.<\/p>\n<p>Artist:<br \/>\n Marc Bijl<br \/>\n Ronald De Bloeme<br \/>\n BNNT \/ Konrad Smolenski<br \/>\n Agnieszka Brzezanska<br \/>\n Stefaan Dheedene<br \/>\n Michael Hakimi<br \/>\n Renata Kaminska<\/p>\n<p><a href=\"http:\/\/manifesta9.org\/en\/parallel-events\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-925\" title=\"logo-parallel\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/logo-parallel.png\" alt=\"\" width=\"283\" height=\"283\" \/><\/a><\/p>\n<p>WAS IST IST \u2026!! \u2014 (Einst\u00fcrzende Neubauten, Berlin 1996)<\/p>\n<p>This exhibition brings together the work of artists, who in different ways<\/p>\n<p>explore the integration<br \/>\n of preliminarity, or more precisely, the possibilities of the artwork and its instability,<br \/>\n in the occupation of public space.<\/p>\n<p>This is not so much of a theme, or a subject matter (although it sometimes can be) but much more<br \/>\n a constitutional element of the artwork, the design accommodating its own fragility, which arises<br \/>\n from the typical \u201cweathering\u201d on site. This of course also refers to the \u201cinvolvement\u201d of the exhibition-goers.<\/p>\n<p>Who does public space belong to?<\/p>\n<p>How much of it is mine?<\/p>\n<p>All the works, regardless of whether their primary motivation is political, or aesthetic, incorporate<br \/>\n this time-limited existence into their structure in its original form. With the knowledge that no<br \/>\n intervention in public space can be apolitical, every artwork takes the local socio-economic, historical<br \/>\n and political contexts in to account, which are inherent to the specific topography in question.<\/p>\n<p>Vandalism is a phenomenon, which initially expresses itself in the form of \u201cmeaningless\u201d destruction or damage.<br \/>\n But when you look closely, however, these activities are by no means without a motive.<\/p>\n<p>The transformation of depression into action, out of which is born a desire to break social taboos,<br \/>\n is a psychological reaction. The deeper lying motivation is therefore a confirmation that even powerless<br \/>\n people, who are normally controlled by powerful institutions and authorities, can sometimes flee their<br \/>\n powerlessness, rebel, and\u2026 control their own environment.<\/p>\n<p>The exhibition will be subject to the \u201cweathering\u201d circumstances specific to this particular area and the<br \/>\n particular time span (from several days to a couple of weeks).<br \/>\n These circumstances then in turn result in the regional influence of the current public mood on the<br \/>\n artworks themselves.<\/p>\n<p>The structure and aesthetic of the artworks will also doubtless show progressive signs of change<br \/>\n and decay with the passing of time. Visible ageing, and the traces left by visitors are included as a<br \/>\n creative, vandalistic exchange within the exhibition.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-855\" title=\"MondriaanFonds_logo_EN_diap\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/MondriaanFonds_logo_EN_diap-212x300.jpg\" alt=\"\" width=\"127\" height=\"180\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-852 alignleft\" title=\"mime-attachment-2\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/mime-attachment-2.jpeg\" alt=\"\" width=\"260\" height=\"57\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-926\" title=\"ifa2\" src=\"http:\/\/bel-etage-projects.com\/wp_be\/wp-content\/uploads\/2012\/04\/ifa2.png\" alt=\"\" width=\"529\" height=\"101\" \/><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Location: public space: Town Hall \u2013 courtyard, Stadsplein 1, Genk, Belgium Performance: 01 \/ 02 \/ 03. 06. 2012 at 6 p.m. Open: 31\/05\/12 to 30\/09\/12 \/ or up to destruction. Artist: Marc Bijl Ronald De Bloeme BNNT \/ Konrad Smolenski Agnieszka Brzezanska Stefaan Dheedene Michael Hakimi Renata Kaminska WAS IST IST \u2026!! [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":59,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-39","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/pages\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":4,"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/pages\/39\/revisions"}],"predecessor-version":[{"id":1007,"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/pages\/39\/revisions\/1007"}],"up":[{"embeddable":true,"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/pages\/59"}],"wp:attachment":[{"href":"https:\/\/www.bel-etage-projects.com\/wp_be\/wp-json\/wp\/v2\/media?parent=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}